![]() When I first started working in the industry at CBS, we had to physically break down sets for weekday shows every Friday night, only to rebuild the exact same thing again on Sunday afternoon in order to be ready to start shooting on Monday! This typically took a crew of people half a day or a day. ![]() But since the technology is still new, your software and computer will need as much support as you can give it. With how good cameras are these days, you can get affordable options. This includes finding the right software and computer to handle your workflow, as well as the GPU you put inside it. How you set up the virtual counterpart is equally important. The physical studio is only part of the equation. Timecode generated by the audio mixer is fed to all cameras to ensure easy synchronization in post-production.Sennheiser 416 shotgun mics for backup (mounted over the talent).We can also feed the analog inputs on our Atomos Sumo 19 recorders as a secondary backup. This means we are getting a clean, isolated recording from a single camera in our multi-camera setup. We then send a stereo mix to each camera, where it is embedded into the SDI signal of the camera. For example, a sunlight exterior would have a hard-edged light source to match the sun, while interiors may have softer-edged lighting.Īt Jett Sets, we like to ISO-record all audio inputs in the mixer. ![]() This includes matching the color, direction, and softness of your light sources. The key to good lighting is blending the talent in the foreground into the virtual background. But in a pinch, a green screen is more than enough. That way, you can take advantage of both and select the best solution depending on your project. Overall, I’d recommend having both green screens and LEDs in your virtual studio if your budget allows for it. Hiding the seams between the screens and managing delays when moving the camera can also become problematic with LEDs. Tech problems can also include power supply, module failures, communication, and control failures. They’re less cost-effective, you can run into artifacts, and color and level changes depending on the shots and camera angles. With LEDs, you can avoid green spill, have instant lighting, and help actors see final backdrops without having to imagine them on a green screen. LED-based virtual production has become a bit of a buzzword in recent months, so it may seem like green screens are becoming less popular, but that’s definitely not the case.
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